In terms of operating, there is a lot of weight that’s high up on their body on a boat that’s heaving back and forth. “They have great what I call ‘base’ and the ability to be stable.
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“Our camera operators, they really are basically professional athletes,” said Starr-Paul. A popular saying on the show is “the Bering Sea has 100 percent injury rate” – meaning you will get beat up and physically worn down shooting “Deadliest Catch.” And while Reichert conducts a week-long intensive “film school” prior to production to teach techniques and hone skills that will help each member of the team better tackle these challenges, it also takes raw skill and strength. Reichert’s camera team needs to be in top physical shape. Your senses dull a little bit, to say the least, when that happens.” “That starts to add up, and there can even be longer runs in there.
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“That’s something that was a little bit surprising as you are operating on normally about four hours a day in a 24-hour period,” said series director of photography David Reichert, who had been on “Deadliest Catch” for seven seasons. During this period, the on-board camera crew is often working 19 to 20 hours a day. The ships are often out at sea seven to 14 days before returning the docks in Dutch Harbor. It really is disorienting in every way.”Īll of this is complicated by sleep deprivation. “You have two horizons you’re dealing with, with your eye in the viewfinder and your other one that’s open still looking for the next shot. “You have one eye in a viewfinder trying to level the frame, and then your other eye is open looking for your next shot as the boat is moving under you,” said Starr-Paul. The Best International Series on Netflix to Watch Right Nowįrom 'Nymphomaniac' to 'Shortbus,' a History of Unsimulated Sex Scenes in 32 Filmsįor most people trying to keep their bearings on rough sea, the trick is to get to the center of the boat and keep your eyes focused on the horizon, but that’s not an option while shooting. 'West Side Story': Creating a Period-Authentic, Danceable NYC for Steven Spielberg's Musical Reinvention You need to be able to go out on those boats and sustain a level of health and operation so you can actually do the job, and it’s hard to find those guys.”įilm Guilds Condemn Oscars for Not Airing Craft Wins Live motion sickness is the first requirement of the job. “The recruiting process is unique because they need to be able to endure that environment,” said Executive Producer Arom Starr-Paul, who started off on “Deadliest Catch” as a camera operator.